All Albrecht Durer 's Paintings
The Painting Names Are Sorted From A to Z

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Choice ID Image  Paintings (From A to Z)       Details 
63756 The Adoration of the Trinity  The Adoration of the Trinity   1511 Oil on lindenwood Kunsthistorisches Museum, Vienna The landscape at the bottom of the panel stretches into the far distance. A lone figure stands on the land - the artist, who has depicted the earthly community being reunited with the realm of heaven. His hand rests on a panel which is inscribed: `Albrecht D?rer of Nuremberg made this 1511 years after the Virgin.'Artist:D?RER, Albrecht Title: The Adoration of the Trinity (detail) Painted in 1501-1550 , German - - painting : religious
88404 The Adoration of the Trinity  The Adoration of the Trinity   1511(1511) Medium Oil on linden Dimensions Height: 135 cm (53.1 in). Width: 123.4 cm (48.6 in). cjr
92060 The Adoration of the Trinity  The Adoration of the Trinity   1511(1511) Medium oil on linden cyf
92061 The Adoration of the Trinity  The Adoration of the Trinity   1511(1511) Medium oil on linden cyf
21360 The Adoration of the Trinity (mk08)  The Adoration of the Trinity (mk08)   1511 Oil tempera on wood 135x123cm Vienna,Kunsthistorisches Museum
39697 The All Saints altarpiece  The All Saints altarpiece   mk150 1511 135x126.3cm
39694 The AllSaints altarpiece  The AllSaints altarpiece   mk150 1511 135x126.3cm
42427 The Angel with the key to the Bottomless Pit  The Angel with the key to the Bottomless Pit   mk168 393x283mm
42429 The Apocalyptic woman and the seven-Headed Dragon  The Apocalyptic woman and the seven-Headed Dragon   mk168 392x279mm
96586 The Apostle James the Elder  The Apostle James the Elder   1516(1516) Medium tempera on canvas Dimensions Height: 45 cm (17.7 in). Width: 38 cm (15 in). cjr
42490 The Apostle paul and the evangelist Mark  The Apostle paul and the evangelist Mark   mk168 Oil on linden wood 214x76cm
42489 The Apostles john and Peter  The Apostles john and Peter   mk168 1528
63750 The Apostles Philip and James  The Apostles Philip and James   1516 Tempera on canvas, 45 x 38 and 46 x 37 cm Galleria degli Uffizi, Florence D?rer's monogram and the date are visible in the upper part of the two canvases, which are part of a series of twelve heads of apostles which the artist planned, though never completed. The two heads are constructed with an incisive and meticulous line, a reflection of D?rer's troubled search for moral austerity. We may recall that this was a particularly delicate time in German history, shortly before the emergence of Martin Luther and the Reformation. The two saints inspire a diffuse sense of solemn veneration, in the passionate, severe eyes, the embittered curve of the mouths, and the overabundant beards, depicted as heavy, noble masses of coiling hair.Artist:D?RER, Albrecht Title: The Apostles Philip and James Painted in 1501-1550 , German - - painting : religious
42428 The Babylonian Whore  The Babylonian Whore   mk168 392x282mm
63601 The Bagpiper  The Bagpiper   1514 Engraving, 115 x 74 mm Metropolitan Museum of Art, New York This is one of the best finished works of the artist. Like the Peasant Couple Dancing, the figure is depicted without any background or indication of the festivity for which he is playing.Artist:D?RER, Albrecht Title: The Bagpiper Painted in 1501-1550 , German - - graphics : genre
42257 The Barnyard fool  The Barnyard fool   mk168 1494
42432 The Bearing of the Cross  The Bearing of the Cross   mk168 woodcut 389x282mm
42463 The Bearing of the Cross  The Bearing of the Cross   mk168
42443 The Betrayal Caiaphas  The Betrayal Caiaphas   mk168 118x75mm 1508
42302 The Betrayal of Christ  The Betrayal of Christ   mk168 282x180mm Vienna.
42436 The Birth of the virgin  The Birth of the virgin   mk168 297x210mm
42345 The Birth of Venus Urania  The Birth of Venus Urania   mk168 254x195mm
42378 The Castle at Trent  The Castle at Trent   mk168 Pen and ink with watercolor on paper 196x250mm
42223 The Cathedral of Aix-la-chapelle  The Cathedral of Aix-la-chapelle   mk168 126x177mm London The British Museum
42227 The Choir of the Great Church inbergen op zoom near the upper border  The Choir of the Great Church inbergen op zoom near the upper border   mk168 132x182mm
42232 The Church of St.John  The Church of St.John   mk168 Watercolor and tempera on paper 290x423mm
42226 The City hall of Alx-la-Chapelle  The City hall of Alx-la-Chapelle   mk168 127x189mm Musee Conde
42324 The Coat of Arms of Death  The Coat of Arms of Death   mk168 220x159mm
42370 The Courtyard of the Former Castle in innsbruck  The Courtyard of the Former Castle in innsbruck   mk168 368x270mm Watercolor on paper
42371 The Courtyard of the Former Castle in Innsbruck  The Courtyard of the Former Castle in Innsbruck   mk168 Watercolor on paper 335x267mm
42235 The covered Footbridge at the haller Gate in Nuremberg  The covered Footbridge at the haller Gate in Nuremberg   mk168 Pen and ink on paper with touches of watercolor 160x323mm
42256 The Crab fool  The Crab fool   mk168 1494
42258 The Crow Fool  The Crow Fool   mk168 1494
42447 The Crowning with Thorns  The Crowning with Thorns   mk168 1512 Engraving 118x74mm
42451 The Crucifixion  The Crucifixion   mk168 1507 115x71mm
42355 The Death of Orpheus  The Death of Orpheus   mk168 288x225mm
42356 The Death of Orpheus  The Death of Orpheus   mk168 145x216mm
42438 The Death of the Virgin  The Death of the Virgin   mk168 293x206mm Woodcut
63569 The Deformed Landser Sow  The Deformed Landser Sow   1496 Engraving, 121 x 126 mm Staatliche Kunsthalle, Karlsruhe A deformed pig is standing on a rise above a river landscape. Its body is divided towards the back. Two front legs are sticking up out of its back. The Engraving was preceded by a leaflet by Sebastian Brant, which spread the news of the birth of a two bodied, eight legged, four eared and two tongued pig in Landser. Deformed animals such as these were interpreted as divine signs by the population, referring to the end of the world which was expected to take place in about 1500. In the course of the impending Turkish invasion, the leaflet and Engraving have also been interpreted as heralding the imminent supremacy of the heathens over the Christians, or more generally the rule of the Antichrist.Artist:D?RER, Albrecht Title: The Deformed Landser Sow Painted in 1501-1550 , German - - graphics : other
42295 The Deposition of Christ  The Deposition of Christ   mk168 205x290mm Pen and ink on paper
42452 The Descent from the Cross  The Descent from the Cross   mk168 1507 115x71mm
42322 The Dream of the idler  The Dream of the idler   mk168 188x119mm
63734 The Dresden Altarpiece  The Dresden Altarpiece   1496 Oil on canvas, 117 x 96,5 cm (central panel), 114 x 45 cm (each wing) Gem?ldegalerie, Dresden The altarpiece was commissioned by Frederick the Wise for the church of the Wittenberg Castle. The altarpiece was in the Kunstkammer in Dresden as early as 1687 which explains its name. The central panel depicts Mary adoring the Child, while the side wings represent St Anthony and St Sebastian. The central panel, displayed with the side panels in the Gem?ldegalerie, has also been attributed to D?rer in the past. However, this attribution was rejected in 1991 on solid grounds and it was attributed to a Dutch painter of the name Jan, who worked in Frederick's court.Artist:D?RER, Albrecht Title: The Dresden Altarpiece Painted in 1501-1550 , German - - painting : religious
63735 The Dresden Altarpiece  The Dresden Altarpiece   1496 Oil on canvas, 117 x 96,5 cm Gem?ldegalerie, Dresden The attribution of the central panel to D?rer, displayed with the side panels in the Gem?ldegalerie, was rejected in 1991 on solid grounds and it was attributed to a Dutch painter of the name Jan, who worked in Frederick's court.Artist:D?RER, Albrecht Title: The Dresden Altarpiece (central panel) Painted in 1501-1550 , German - - painting : religious
58701 The earliest painted Self-Portrait (1493) by Albrecht Durer  The earliest painted Self-Portrait (1493) by Albrecht Durer   The earliest painted Self-Portrait (1493) by Albrecht D??rer, oil, originally on vellum Louvre, Paris
42285 The Feast of the rose Garlands the virgen,the Infant Christ and St.Dominic distribut rose garlands  The Feast of the rose Garlands the virgen,the Infant Christ and St.Dominic distribut rose garlands   mk168 162x194cm Oil on poplar wood
42446 The Flagellation of Christ  The Flagellation of Christ   mk168 1512 118x74mm
42440 The Flight into Egypt  The Flight into Egypt   mk168 woodcut 298x210mm
84285 The Flight into Egypt  The Flight into Egypt   Date ca. 1496(1496) Medium Oil on pine panel Dimensions Height: 63 cm (24.8 in). Width: 45.5 cm (17.9 in). cjr
42646 The four apostles  The four apostles   MK169 1526 Panel both 216x76.2cm Alte Pinakothek, Munchen
53759 The four apostles  The four apostles   mk234 1523-26 215x75cm
40340 The Four Holy Men  The Four Holy Men   mk156 1526 Oil on linderwood panels 215x76cm
52041 The Four Holy Men  The Four Holy Men   1526 Oil on lindenwood, 215 x 76 cm
45876 The four horseman  The four horseman   mk178 1498 woodcuts 39.4x28.1cm
42423 The Four horsemen of the Apocalypse  The Four horsemen of the Apocalypse   mk168 394x281mm
42344 The Four Witches  The Four Witches   mk168 190x131mm
42383 The Great Cannon  The Great Cannon   mk168 227x330mm 1518
28918 The Great Colvary  The Great Colvary   mk65 Pen and brush with heightening in white lead on green Prepared paper 22 13/16x15 3/4in Uffizi,Gallery
63562 The Great Courier  The Great Courier   1495 Engraving, 100 x 113 mm Kupferstichkabinett, Dresden Earlier doubts have given way to the opinion that this is D?rer's first experimental engraving since a drawing was found at Danzig (presently Gdansk in Poland) which apparently served as the model for this subject. This drawing is inscribed by D?rer: This was drawn by Wolfgang Peuer in the year 1484. Nothing else is known about Peuer. He may have been an apprentice or an assistant in the goldsmith's shop of D?rer the Elder or in the workshop of D?rer's teacher, the painter Michael Wolgemut. The watermark of the paper used for the printing of this engraving, "Cardinals's Hat," was used by D?rer infrequently beginning in 1507. It was also used for the posthumous edition of D?rer's book Unterweisung der Messung (Instructions on measurement). The rarity of this print, as well as the watermark, suggests that the remaining impressions (Dresden, Melbourne, Paris aand Vienna) are posthumous.Artist:D?RER, Albrecht Title: The Great Courier Painted in 1501-1550 , German - - graphics : other
42296 The Great Crucifixion  The Great Crucifixion   mk168 320x230mm
44877 The Great Piece of Turf  The Great Piece of Turf   mk176 1503 16x12
42358 The Great Ture  The Great Ture   mk168 410x315mm
42225 The Harbor at Antwerp  The Harbor at Antwerp   mk168 pen and ink on paper 213x283mm
42366 The Head of a stag Killed by an arrow  The Head of a stag Killed by an arrow   mk168 252x392mm
42281 THe Head of christ at age twelve  THe Head of christ at age twelve   mk168 275x211mm
42498 The Head of St.Paul  The Head of St.Paul   mk168 1526 354x288mm
42365 The Head of Stag  The Head of Stag   mk168 228x166mm 1514
42252 The Holy Family  The Holy Family   mk168 pen and ink on paper 204x208mm
42461 The Holy Family  The Holy Family   mk168 160x112mm Temper on vellum
42475 The Holy Family  The Holy Family   mk168 Oil on wood 30.5x38.7cm
42250 The Holy Family in a landscape  The Holy Family in a landscape   mk168 143x115mm
42251 The Holy Family in a landscape  The Holy Family in a landscape   mk168 pen and ink on paper 290x214mm
42437 The Holy Family in egypt  The Holy Family in egypt   mk168 295x210mm Woodcut
42253 The holy family with the dragonfly  The holy family with the dragonfly   mk168 237x186mm
42369 The Holy Family with three rabbits  The Holy Family with three rabbits   mk168 390x280mm
42454 The holy trinity  The holy trinity   mk168 392x284mm 1511
63565 The Ill-Assorted Couple or the Offer of Love  The Ill-Assorted Couple or the Offer of Love   1495 Engraving, 151 x 139 mm Staatliche Museen, Berlin The style of the monogram indicates that it is one of D?rer's earliest engravings. The left-handedness of the subjects may be due to D?rer's use of an earlier model. Although a moralizing theme was read into the episode by some early commentator, D?rer probably intended to do no more than to portray purchased love.Artist:D?RER, Albrecht Title: The Ill-Assorted Couple or the Offer of Love Painted in 1501-1550 , German - - graphics : genre
42460 THe Infant Savior  THe Infant Savior   mk168 118x93mm 1493
63633 The Lamentation  The Lamentation   1522 Silverpoint, 293 x 416 mm Kunsthalle, Bremen The corpse is leaning against the knee of the Magdalen, who is seated on the ground. The Virgin is raising Christ's head and holding his left arm on her lap. St John and Joseph of Arimathea are visible in half length. This is an extremely significant sketch for a painting in the late style, in which form is entirely saturated with expression.Artist:D?RER, Albrecht Title: The Lamentation Painted in 1501-1550 , German - - graphics : religious
42336 The Large Horse  The Large Horse   mk168 167x119mm
52054 The Large Turf  The Large Turf   1503 Watercolor and gouache on paper 41 x 32 cm
42431 The last supper  The last supper   mk168 1510 on the frame of the table woodcut 395x284mm
42453 THe Last supper  THe Last supper   mk168 1523 Woodcut 213x301mm
63658 The Madonna and Child with a Music-making Angel  The Madonna and Child with a Music-making Angel   1519 Pen, 305 x 210 mm Royal Collection, Windsor There are only slight differences in tone, but an impression of richness is achieved by the very economical variation in direction of the areas of linear shading.Artist:D?RER, Albrecht Title: The Madonna and Child with a Music-making Angel Painted in 1501-1550 , German - - graphics : religious
52022 The Madonna of the Carnation  The Madonna of the Carnation   1516 Parchment on pine, 36 x 25 cm
42334 The Madonna with a Carna-tion  The Madonna with a Carna-tion   mk168 1516 Oil on vellum 39x29cm
42497 The Madonna with the Iris imitator of Albrecht Durer  The Madonna with the Iris imitator of Albrecht Durer   mk168 149x117 1508 Oil on canvas
42368 The Madonna with the Monkey  The Madonna with the Monkey   mk168 191x122mm
42455 The Madonna with the pear  The Madonna with the pear   mk168 158x106mm 1511
42488 The Madonna with the pear  The Madonna with the pear   mk168 1526 Oil on wood
42486 The Madonna with the Siskin  The Madonna with the Siskin   mk168 on a small piece of paper on the table in front of the Virgin.
42291 THe Magdalen embracine the cross  THe Magdalen embracine the cross   mk168 Chald drawing on green grounded paper
42441 The Man of Sorrow at the Column  The Man of Sorrow at the Column   mk168 1509 116x75mm
42287 The Manile of the Pope  The Manile of the Pope   mk168 1514 Watercolor on paper 427x288mm
42286 The Mantle of the pope  The Mantle of the pope   mk168 1514 Watercolor on paper 427x288mm
42472 The Martyrdom of the ten thousand  The Martyrdom of the ten thousand   mk168 99x87cm Oil on wood
63751 The Martyrdom of the Ten Thousand  The Martyrdom of the Ten Thousand   1508 Oil on canvas transferred from panel Kunsthistorisches Museum, Vienna The representation of the violence of the torturers and the various positions of their victims, on their knees and lying on the ground, demonstrates the wide knowledge D?rer had acquired about the human form and laws of perspective. A refined psychological sensibility and pictorial mastery characterize almost all the figures of this tragic scene: for example, the almost cinematographic sequence of the people who are made to fall from the cliff in the top left.Artist:D?RER, Albrecht Title: The Martyrdom of the Ten Thousand (detail) Painted in 1501-1550 , German - - painting : religious
88406 The Martyrdom of the Ten Thousand  The Martyrdom of the Ten Thousand   1508(1508) Medium Oil on canvas transferred from panel cjr
88411 The Martyrdom of the Ten Thousand  The Martyrdom of the Ten Thousand   1508(1508) Medium Oil on canvas transferred from panel cjr
42325 The Men-s Bath  The Men-s Bath   mk168 292x282mm
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Albrecht Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

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